Share this page Nov 13, 2019 — Mar 8, 2020 According to Rod Stewart, every picture tells a story. Whether its subject is a familiar Old Testament morality tale or an apocalyptic warning of impending nuclear doom, the physical process of making a picture (or a print, painting, or sculpture) sometimes assumes an equal role in the story’s telling. If nothing else, the manipulation of a medium can be the message. This exhibition explores a variety of narrative paths traveled by disparate artists over the past two centuries. Some artists are inspired by the historical importance or celebrity of their subjects, some focus on familial relationships, some simply paint themselves. More complex stories are constructed as propaganda, symbolism, or allegory—with or without overt intentions. In each case, once the stories are told in the pictures, their meanings are our own. Back unidentified The Plan of Civilization circa 1800 oil on canvas view George P. A. Healy (1813-1869) Portrait of John C. Calhoun (1782-1850) 1845 oil on canvas view Luther Terry (1813-1869) An Allegory of the North and South 1858 oil on canvas view Carl Hirschberg (1854-1923) A Coffle on the Natchez Trace circa 1900 oil on canvas view George Bellows (1882-1925) Massacre at Dinant 1918 oil on canvas view Charles Goeller (1901-1955) Making Blue circa 1925 oil on canvas view Jacob Lawrence (1917-2000) The North Star 1967 gouache and tempera on paper view Romare Howard Bearden (1911-1988) Salome 1973 acrylic and collage on Masonite view Frederick Brown (1945-2012) Billie's Blues 1986 oil on linen view Roger Brown (1941-1997) Don't Be Cruel 1989 oil on canvas view Emmett Williams (1925-2007) Portrait of Jasper Johns 1992 mixed media view Eric Fischl (born 1948) Mary 1998 oil on linen view